Life in the Key of God
1) Enter Here
2) Fear Not!
3) Full Circle Day
4) When You Fall
6) Prayer of Tears
8) Morning Song
9) Heaven Isn’t Far Away
More than a collection of songs, Life in the Key of God is a divine narrative about friendship and grace. I wrote all the music and lyrics for these songs, but none of them would have found their way out in the world without so many dear and talented friends bringing them to life for me.One, in particular, Jonas Sorman—who I’ve known since he was a music student in his early 20s—not only played the piano and arranged several tracks but graciously offered to mix and master the entire album—as a gift. He did so even as he was undergoing radiation treatment for skin cancer and battling great pain. I was grateful to know that working on this music was a gift to him in this hard season. That’s how things seem to work in the great economy of the Living God.
ENTER HERE was the first song I recorded. It was sung (and the music video created) by my dear neighbor of 24 years, Rachel Pollack. She was accompanied by her once-husband and still close friend, Jonas, and the musicians who live in the tiny house between us, Xander Hitzig and Nicole Olney of St. John’s Dance. None of them are “church people,” but all could hear the spirit of God in this song and loved being a part of it. They worked tirelessly, not only on the single, but on this beautiful video—a gift for a lifetime.
FEAR NOT! is the opening song of a liturgy I co-wrote with Blake Flattley. Blake and I have shared a love of cultivating the ancient and the modern through the arts for the good of the Church since 2015, when we first met in NYC. Since then our paths have crossed in LA, OC, ATL and always, virtually, as we’ve built our friendship and, now, a quarantine-friendly version of our Fear Not! liturgy. I consider Blake “responsible” for leading me to this new musical path by asking me to work on this liturgy with him. I will never forget the moment in the shower when I heard the first sung lyric that ever came to me, “I want to know what angels knew when they said, fear not!” and I ran to message Blake who talked me thru how to download the My Memos app so I could record it while it was still fresh.
FULL CIRCLE DAY is sung by Donna Bullock, the friend featured on this album who I’ve known the longest. We were part of the same mom’s group along the Venice canals and came to attend the same church, First Lutheran Venice. Donna helped bring The Renaissance Service to life for me by lending her exquisite voice to these arts-based liturgies. Some will know Donna from reading about her in passages of my first book, Baptism by Fire. You might also know here from TV or movies or the New York production of Ragtime where she played the lead role of Mother, bringing down the house at the end with the song Back to Before. I know. I was there to celebrate with her,just as she and her husband Howard came to hear me speak about Man Turned in on Himself in New York a dozen years later. Now living a quieter life in the woods of Massachusetts, she was delighted to get to play a part in coming full circle again in our friendship to sing this song, dedicated to Remy, who Donna has known and loved and prayed for her entire life. Donna was the first person to come to my house when Remy was in the hospital as an infant and sit on my bed and take my hand and say, “Let me pray for you.”
WHEN YOU FALL is a sliver of chant based on a line from the teachings of theologian Oliver Clement. In the future I hope it will be sung in repetition by many voices but for this album I wanted one acapella voice. I first met seminarian Mason Veith when he attended a lecture I gave at Concordia Seminary St. Louis. We built our friendship online—and over a three-hour coffee at St. Louis’s hometown hang-out, Kaldi’s— as we discovered a shared love for the haunting melodies of monastic chant and the mission to make all things new.After he shared a clip of a solo he did of the Lord’s Prayer, I knew he would be the one to sing it. His enthusiasm and care in getting the vocal just right simply affirmed it.
ADELANTE! was written specifically for the music/worship leaders at my church, HOPE LA: Ernie “Chico” Perez, Stephanie Garcia, and classical guitarist Matt Purpura. Adelente! means “keep going!” and it has been the guiding encouragement that we’ve used for the past 5 years as we’ve navigated the hard work of letting an old church die and a new one be born in and through us.This song had a life of its own and led me places I never imagined—I just kept following. By the time it was done, I knew it would also include the LOVE RISES Community Choir, which we started six weeks before the pandemic, and continued to grow via ZOOM during the quarantine. The choir was named for the mural we commissioned Ruben Rojas to create for the massive wall along our parking lot. When he shared this short video I replied with a wink, “Gee, Ruben, it sounds just like 1 Corinthians 13: 4-8.”
PRAYER OF TEARS is sung by my friend Kristin Swinford-Schweain, who is the Director of Worship at St. Andrew Lutheran Church in Cape Girardeau, MO. We first met while I was on a speaking tour through the Midwest in 2018.I had no idea at the time that Kristin was once part of a Christian teen pop and rock trio called Zoe Girl, which was awarded the Gospel Music of America’s best new artist award in 2002. As I prepared for my visit, she was eager to learn about leading Taize services, and creating a more contemplative worship space, and so we worked together long distance to craft a service for their coffee house church plant called STA. I was so taken by her voice and her gifts that I asked her pastor, John Dehne, if they would send her out to L.A. later that year to co-lead a Taize service with Blake Flattley and me at The Gathering in Long Beach. I am praying that the chorus of this song—”Oh, God, break through!”— will be brought to all its fullness by members of the Laudamus choir at Concordia Seminary, St. Louis—perhaps to debut at the Theological Symposium this September. All that’s left to do is ask:)
SOPHIA was the last song I wrote for Life in the Key of God. It came about as I pondered whether there would be any other songs or if the album was complete. The answer came as a question: “Is there anything you want to say that you haven’t already said in these other 8 songs?” It turned it, there was.I have been studying the person of Sophia/Wisdom (in the Hebrew, Chokhmah), for almost twenty years. Her presence in Proverbs 8 & 9, and throughout the Book of Wisdom (which Protestant bibles do not include) is essential to the knowledge of the fullness of the Living God, but, sadly, she is little known in the Western church. This song is a celebration of her unique identity throughout Scripture. As the composition grew, it became clear that these sung words had the power to speak beyond church walls in remarkable ways. To honor Sophia, Jonas—who was a vocalist long before he was a composer—has agreed to come out of retirement to sing this duet with Rachel. This will be their first time recording together since their hit debut indie album, Rocketbob.
MORNING SONG was arranged and recorded at home in Nashville by my friend of 20 years, Kate Campbell. I have written more about her than any other artist friend because her music, her voice, her spirit, and the knowledge of her as a kindred spirit for the journey have meant so much to me. You may have seen my post of her sung version of The Prayer of Thomas Merton or, one of my most popular blogs, Kathy, I’m lost, about our unlikely friendship. I first heard her sing “The Way Home” (featured above) thru a wall in our dorm at The Glen in Santa Fe, where we had been paired as liturgists; I started weeping then, and every time I heard it for the next several years.Kate has been a touring singer/songwriter for 30 years, including an annual pub music tour she leads thru Ireland. We have a shared love of contemplative prayer and the riches of the Celtic tradition, which are so apparent in this song. I had first heard the opening lines as I looked out the window in my little room at the St. Columba Hotel on the Isle of Iona during Holy Week, 2018. I’d sung them into my phone and forgotten about them until I started playing piano and writing music in earnest. I reached out to Kate who gently shared that some of my chord notations were off but that the melody was perfect. That’s the gift of old, dear friends: truth and grace in equal measure.
HEAVEN ISN’T FAR AWAY is a big, joyful pub song that has never been sung in a pub (yet). The original plan was to have friends from all different parts of life gather at my house on my birthday–May 12, 2020—to record and celebrate. Then 202O became, well, 2020. Thankfully, the creative spirit led me to a quick pivot and a host of wonderful friends with gifted musical families locked down in quarantine.
It is my hope that I will be able to release Life in the Key of God this fall. We’ll see. Until then, I will be working on my music skills daily with the person who may be the most essential player of all: my piano/composition teacher, Phil Cordaro. We started working together on July 26, 2019 and it is not an overstatement to say that none of this music would be possible without him sharing his lifetime of training, his boundless patience, his firm hand, his willingness to go where I needed to go, and his joyful, faithful spirit. Rare is the day that I don’t text him with a question. And he always answers. Promptly, thoroughly. Sometimes I have to say, please don’t explain the whole history of music theory, just tell me what you call a Dm7 that also has a G:)When in-person lessons became impossible, we switched to Facetime without missing a beat. And although he’s not a fan of this picture, it feels to me like the season when so much of this music was written. He told me early on, “Heather, most people study music for years and then, maybe, try to write a song. You, by God’s grace, are writing all these songs and then trying to learn music as you do it!” At least once a week I walk thru the house and exclaim, “Phil is a total Godsend!” to which Lon replies, “yep.”
One final note re: the image up top. I only met the artist, Elizabeth Decker once in person but we have corresponded frequently online and even on a few real phone calls about our journeys. As I began to envision what I wanted the album cover to look like, her work came instantly to mind. “Quietly thinking of Him” feels introspective, human, girly, messy, deeply-rooted and celestial all at the same time. I wanted to showcase it in a simple design that reminded me somehow of Ladies of the Canyon, and all those formative years of falling in love with music through the words and melodies of Joni Mitchell.Thanks for taking time to read these stories. May these songs come to bring us all closer to the Living God.
Soli Deo Gloria